Gittan Jönsson’s artistic career spans more than six decades. With the recurring themes of power structures and social relations her work is as wilful and strong as it is topical. She is an artist who affects us all; an artist who dares to be political and personal, an artist who gives the big events equal billing with the small. Nothing is too simple to be of importance. The first major retrospective presentation of Gittan Jönsson’s work, the exhibition culminates in the new film Parallella Linjer [Parallel Lines], in which the artist searches for traces of the feminist movement in Stockholm and Berlin, asking her self what became of all the rebellious efforts and actions?